maureen footer dior | victor grandpierre dior maureen footer dior Maureen Footer’s four years of research for her new book, Dior and His Decorators: Victor Grandpierre, George Geoffroy, and the New Look, culminated in its launch on 16 October at . $27.87
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victor grandpierre dior
New York-based author and design historian Maureen Footer urges you to reconsider Dior’s profound influence on the decorative arts in her new book, Dior and His .
Maureen Footer’s four years of research for her new book, Dior and His Decorators: Victor G.
This piece appeared as the foreword to Vendome Press's Dior and His Decorators: Victor Grandpierre, Georges Geffroy, and the New Look by Maureen Footer, with a foreword by .
View Maureen Footer’s profile on LinkedIn, a professional community of 1 billion members.Maureen Footer’s four years of research for her new book, Dior and His Decorators: Victor Grandpierre, George Geoffroy, and the New Look, culminated in its launch on 16 October at . A masterful storyteller, Maureen Footer connects the dots between the 20th century’s greatest tastemakers to create a compelling .
Maureen Footer, a historian specializing in the French decorative arts, seeks to shed a new light on the friendship between the three men in her book “ Dior and His Decorators: .9,960 Followers, 1,132 Following, 475 Posts - maureen footer (@maureenfooter) on Instagram: "Author, Feel the Floor: The Life and Legacy of Jazz Choreographer Buddy Bradley (Beacon, .
A stunning new book by Maureen Footer chronicles the close collaboration among [Christian Dior, Victor Grandpierre and Georges Geffroy], revealing analogues of the New Look in lush yet .With an enlightening foreword by Hamish Bowles, editor-at-large for US Vogue, this richly documented exploration is the work of Maureen Footer, a historian specializing in the French . A sumptuous new book, "Dior and his Decorators", explores the fashion icon's relationship with the designers who created his homes and atelier. In an extract from the book, .Maureen Footer
MAUREEN FOOTER While Maureen Footer made the career leap from banking to design in the 1980s, her Wall Street résumé still comes in handy, and not just for cash-flow statements: her clientele includes many in the upper tiers of finance. With a staff of up to 10 employees, she juggles six full-scale projects a year. eachINTERIOR DESIGNER MAUREEN FOOTER has an impeccable reputation for decorating with the finer things. A connoisseur of 18th-century French architecture and furniture (she boasts a graduate degree from the École de Louvre), Footer is known for her elegant, inviting and antiques-filled interiors.Maureen Footer can change the apparent incompatibility between functional and sensual into the fascinating mixture of distinction and romanticism we are used to. Her apartment, a contemporary high-rise on the Upper East Side of Manhattan, plans a .MAUREEN FOOTER: I think it's important to have a sense Of arrival, Of knowing you're in a special place—that you are home. Here, With the wall- to-wall sea grass throughout the apartment. the walls really became the differentiating element. And I just love chinoiserie. magical and enchanting. There is a sense of fantasy involved—
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rules,” explains Maureen Footer, a designer and the author . For socialite Frances . Cheney, George Stacey conceived an Art Deco version of Monticello, c. 1935. H O M E . . George Stacey,” says Footer. “He gave them an effortless, easy chic that he mixed with a sense of drama and seduc - tion and tempered with a dose ofand updated," says Maureen Wilson Footer, who used yards of a Fine fabric to create a tented boudoir at this year's Kips Bay Decorator Show House. Most of Fine's pieces are commissioned by clients, including designers Katie Ridder and Tom Scheerer, "Clockwise, New York designer Maureen Wilson úsèd Lisa Fine's embroi- fãbtib 'to Create a tentedtrained interior designer Maureen Footer. She's made her reputation on her ability to interpret European classicism in a modern way and has designed homes for major collectors of Old Masters and nineteenth-century and contemporary art and tapestries.
p ROUST BEDROOM Maureen Wilson Footer's womblike room uses cork wall tiles from Natural Cork (.29 square foot); the tree in the corner is an African ladder from Tucker Robbins, ,600. Left, Robert DeCarlo's kitchen has a Hunter Douglas sheer shade painted with Krylon; Crate & Barrel Palmetto vases are .95 and .95.
Footer tapped classic New England designs when furnishing rooms in the old house but often added fresh twists. Wing chairs by the fireplace in the keeping room are covered in a zippy green-and-white fabric that gives an updated look to a traditional flame-stitch design. Behind the settee are sea urchin-inspired lamps that share lightingMaureen FooterMAUREEN FOOTER While Maureen Footer made the career leap from banking to design in the 1980s, her Wall Street résumé still comes in handy, and not just for cash-flow statements: her clientele includes many in the upper tiers of finance. With a staff of up to 10 employees, she juggles six full-scale projects a year. eachINTERIOR DESIGNER MAUREEN FOOTER has an impeccable reputation for decorating with the finer things. A connoisseur of 18th-century French architecture and furniture (she boasts a graduate degree from the École de Louvre), Footer is known for her elegant, inviting and antiques-filled interiors.
Maureen Footer can change the apparent incompatibility between functional and sensual into the fascinating mixture of distinction and romanticism we are used to. Her apartment, a contemporary high-rise on the Upper East Side of Manhattan, plans a .MAUREEN FOOTER: I think it's important to have a sense Of arrival, Of knowing you're in a special place—that you are home. Here, With the wall- to-wall sea grass throughout the apartment. the walls really became the differentiating element. And I just love chinoiserie. magical and enchanting. There is a sense of fantasy involved—rules,” explains Maureen Footer, a designer and the author . For socialite Frances . Cheney, George Stacey conceived an Art Deco version of Monticello, c. 1935. H O M E . . George Stacey,” says Footer. “He gave them an effortless, easy chic that he mixed with a sense of drama and seduc - tion and tempered with a dose of
and updated," says Maureen Wilson Footer, who used yards of a Fine fabric to create a tented boudoir at this year's Kips Bay Decorator Show House. Most of Fine's pieces are commissioned by clients, including designers Katie Ridder and Tom Scheerer, "Clockwise, New York designer Maureen Wilson úsèd Lisa Fine's embroi- fãbtib 'to Create a tentedtrained interior designer Maureen Footer. She's made her reputation on her ability to interpret European classicism in a modern way and has designed homes for major collectors of Old Masters and nineteenth-century and contemporary art and tapestries.p ROUST BEDROOM Maureen Wilson Footer's womblike room uses cork wall tiles from Natural Cork (.29 square foot); the tree in the corner is an African ladder from Tucker Robbins, ,600. Left, Robert DeCarlo's kitchen has a Hunter Douglas sheer shade painted with Krylon; Crate & Barrel Palmetto vases are .95 and .95.
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dior and the decorators
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