yves saint laurent kollektion für dior | yves Saint Laurent dress yves saint laurent kollektion für dior Yves Saint Laurent’s controversial final collection for Dior, le Beat look, was . The product of an expensive and lengthy endeavor that took almost half a decade, Rolex’s quartz watches were originally positioned as premium options within its catalog, priced significantly higher than comparable Datejust and Day-Date watches with traditional mechanical movements.
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Yves Saint Laurent’s final collection for Dior in 1960 drew upon beatnik and other . Yves Saint Laurent’s controversial final collection for Dior, le Beat look, was .Yves Saint Laurent’s final collection for Dior in 1960 drew upon beatnik and other nonconformist styles, reinterpreting them with couture materials and techniques. His iconic “Chicago” jacket, for example, which clearly references motorcycle jackets, uses black crocodile trimmed with mink.
Yves Saint Laurent’s controversial final collection for Dior, le Beat look, was inspired by Left Bank icon Juliette Gréco and the Beatniks of Saint-Germain-des-Prés. It was innovative for its infusion of youthful, bohemian street style into the couture, with Beat elements including leather jackets, knitted turtlenecks, and plenty of black.
For his first collection, Yves Saint Laurent set himself apart from the master. Instead of Dior’s signature cinched waist, he created a more fluid silhouette under which the body disappeared. The Trapeze line was born. Y ves Saint Laurent’s L’Eléphant Blanc (white elephant) was featured in his first collection for the house of Dior, the 1958 Spring/Summer Trapèze collection. This white, heavily embellished dress hides a boned corset and a stiff horsehair understructure to .
Yves Saint Laurent would spend two years working alongside Christian Dior, learning the secrets of haute couture from the master himself. Collections comprised of some two hundred designs would emerge from sketches, toiles, and fittings.
This was the beginning of one of the most celebrated fashion collaborations, that between the master Christian Dior and young Yves Saint Laurent. Yves Saint Laurent worked alongside Monsieur Dior for two years. The collections produced by the couture house were extensive – made up of more than two hundred designs.With the aid of photographs by Laziz Hamani, this volume revisits the quintessential Yves Saint Laurent creations made for Dior, from the Trapèze silhouette of his first collection, for Spring-Summer 1958, to the Beat Look of Autumn-Winter 1960. Moreover, Laurence Benaïm gives a charming account of the details and stories behind over thirty . Yves Saint Laurent and his models at the presentation of Saint Laurent’s autumn-winter 1960 collection at the House of Dior. Photograph: TopFoto. The connection between fashion and art has only strengthened over time as more museums around the world curate and present costume exhibitions.
Designer Yves Saint Laurent French, born Algeria. Manufacturer Rébè. spring/summer 1958. Not on view. Creating the trapeze silhouette for Dior, Saint Laurent has a rigid understructure veiled under a fly-away cage. A boned corset anchors the dress but .Though Yves Saint Laurent primarily designed dresses during his time at Dior and after starting his own fashion house in 1961, his 1966 Autumn/Winter “Pop Art” collection contained one standalone look that would revolutionize women’s wear forever. Dubbed “Le Smoking”, (because the word smoking in French quite literally translates to .Yves Saint Laurent’s final collection for Dior in 1960 drew upon beatnik and other nonconformist styles, reinterpreting them with couture materials and techniques. His iconic “Chicago” jacket, for example, which clearly references motorcycle jackets, uses black crocodile trimmed with mink.
Yves Saint Laurent’s controversial final collection for Dior, le Beat look, was inspired by Left Bank icon Juliette Gréco and the Beatniks of Saint-Germain-des-Prés. It was innovative for its infusion of youthful, bohemian street style into the couture, with Beat elements including leather jackets, knitted turtlenecks, and plenty of black.For his first collection, Yves Saint Laurent set himself apart from the master. Instead of Dior’s signature cinched waist, he created a more fluid silhouette under which the body disappeared. The Trapeze line was born. Y ves Saint Laurent’s L’Eléphant Blanc (white elephant) was featured in his first collection for the house of Dior, the 1958 Spring/Summer Trapèze collection. This white, heavily embellished dress hides a boned corset and a stiff horsehair understructure to .
Yves Saint Laurent would spend two years working alongside Christian Dior, learning the secrets of haute couture from the master himself. Collections comprised of some two hundred designs would emerge from sketches, toiles, and fittings.This was the beginning of one of the most celebrated fashion collaborations, that between the master Christian Dior and young Yves Saint Laurent. Yves Saint Laurent worked alongside Monsieur Dior for two years. The collections produced by the couture house were extensive – made up of more than two hundred designs.
With the aid of photographs by Laziz Hamani, this volume revisits the quintessential Yves Saint Laurent creations made for Dior, from the Trapèze silhouette of his first collection, for Spring-Summer 1958, to the Beat Look of Autumn-Winter 1960. Moreover, Laurence Benaïm gives a charming account of the details and stories behind over thirty . Yves Saint Laurent and his models at the presentation of Saint Laurent’s autumn-winter 1960 collection at the House of Dior. Photograph: TopFoto. The connection between fashion and art has only strengthened over time as more museums around the world curate and present costume exhibitions.Designer Yves Saint Laurent French, born Algeria. Manufacturer Rébè. spring/summer 1958. Not on view. Creating the trapeze silhouette for Dior, Saint Laurent has a rigid understructure veiled under a fly-away cage. A boned corset anchors the dress but .
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